Once you set up the mask and apply the settings, play back the clip and see the results in real-time.
#NOISE REDUCER PRO MAC PRO#
Just as any other mask created in Premiere Pro CC, you can also track them so that they can adhere to the part of the image that you want to improve. These settings should give you a good starting point as you can tweak them further along the way. To give the masks a wider range, set the Feather option to 100 and then adjust the Radius to 5. Once you drag and drop the Median filter onto your clip, you’ll be able to create multiple masks and place them on the most distracting areas of your footage. In this particular case, the video showcases a workflow regarding the second option. Since the most problematic part of your video is its shadow areas, Kurt recommends applying the noise reduction tools and targeting the visible noise only in these specific parts of the image. There are two main tools you can use in Premiere Pro CC – Dust and Scratches and Median located under the Noise and Grain filters in the Effects Library. So, without further ado, let’s dive into the actual Premiere Pro CC noise reduction workflow in the video below. Nevertheless, you still can get some decent results depending on the level and complexity of the artifacts you want to reduce. As Kurt Anderson the author of this tutorial suggests, you should use this option as a last resort to mitigate the visible digital noise in your footage. Even though it’s far from perfect, this simple technique can be utilized on particular occasions when you’re in a pinch and don’t have access to any dedicated third-party plugins or After Effects to apply more advanced noise reduction.
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